This thesis explores the Sri Lankan Embassy in Nusantara, Indonesia, as a cultural palimpsest, intertwining Sri Lankan and Indonesian architectural narratives. Drawing from the philosophies of tropical modernism and cultural storytelling, the design reflects layered identities, merging history, materiality, and symbolism. Through courtyards, local craftsmanship, and blurred spatial boundaries, the embassy transcends its diplomatic function to become a dynamic cultural hub. The project investigates how architecture can embody presence and absence, fostering connections between past and present, while redefining the role of an embassy in promoting bilateral relationships and cultural integration.
In the plan, a series of distinct, interconnected buildings are arranged, each with unique characteristics. Courtyards and transitional spaces weave between them, fostering discovery and a seamless connection to nature
From the lobby to the gallery and café, the space flows effortlessly, blurring the lines between interior and exterior, inviting nature to become an integral part of the experience.
A seamless journey from the cafe to the library, where nature gently merges with the built environment
The exterior of the public function hall blends effortlessly with the landscape, its presence quiet yet commanding, inviting interaction while respecting the landscape.
The section illustrates how the buildings are strategically placed along the contours of the site, carefully aligned to preserve unobstructed views.