This thesis envisions an anti-pavilion where visitors are drawn into the stages of displacement, immersing them in the profound realities of identity loss and forced displacement. Designed as a reflective, experiential space, the anti-pavilion becomes a vessel for understanding, conveying the complex emotions, resilience, and challenges faced by the displaced. Through structural expression and sensory engagement, visitors confront the isolation and vulnerability experienced by marginalized communities, challenging their own perceptions and fostering an intellectually stimulating experience. This project aims to humanize the displaced and inspire a more compassionate view of identity and belonging in a world often shaped by privilege and exclusion. The main aim is to represent a nation of people without a nation.
The master plan of the land of the displaced consists of 3 stages: Memory, Limb, and Departure.
Limbo is the second part of the displacement and is represented by camp-like structures
Isometric view of memory structure showcasing entry and modules of memory.
Departure is the final exit that represents relief. It is a wharf designed to take the visitors back home.
Memory represents the trauma of the displacement event, storing the memories of the displaced and their identity before the displacement. It's an interactive module where visitors can share their memories.