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Placed in Dialogue, Not Hierarchy | The Gadigal Centre of Excellence becomes a site of confluence: one in which different ways of knowing may meet and incur exchange.

Placed in Dialogue, Not Hierarchy | The Gadigal Centre of Excellence becomes a site of confluence: one in which different ways of knowing may meet and incur exchange.

Ground Floor Plan | Circulation moves between the Hanging Gallery and the Veiled Performance Space, carrying visitors from the lightness of suspended displays to the more enclosed, embodied performance room.

Ground Floor Plan | Circulation moves between the Hanging Gallery and the Veiled Performance Space, carrying visitors from the lightness of suspended displays to the more enclosed, embodied performance room.

Sectional Perspective | Movement through the building becomes a journey of exchange. Visitors may re-enter the gallery with changed understanding, or find renewed agency through means of performance or care.

Sectional Perspective | Movement through the building becomes a journey of exchange. Visitors may re-enter the gallery with changed understanding, or find renewed agency through means of performance or care.

Materialising Concept | Karen Martin's framework on Ways of Knowing, Being and Doing forms the triadic spatial structure through which different ways of knowing may be experienced and enacted.

Materialising Concept | Karen Martin's framework on Ways of Knowing, Being and Doing forms the triadic spatial structure through which different ways of knowing may be experienced and enacted.

North and South Elevation | Movement reveals different registers of the Gadigal Centre: a suspended gallery display, passing performance, or someone tending to the garden.

North and South Elevation | Movement reveals different registers of the Gadigal Centre: a suspended gallery display, passing performance, or someone tending to the garden.